Tagged: anticompetitive

“The high-flying, go-go culture of the agencies has given way to a more restrained, fiscally disciplined one in recent years, however. That evolution has only accelerated as private equity firms have swooped into the business. These Wall Street investors — who have poured more than $1 billion into the two largest talent agencies, William Morris Endeavor and Creative Artists Agency, over the last five years — are helping to bankroll those agencies’ expansion into new arenas outside Hollywood including sports, technology, fashion and food. But they’ve also put a fresh focus on driving profits, insiders say — essentially flipping the script on the famous talent-rep mantra from the film ‘Jerry Maguire’ and saying, ‘Show us the money.'” 

Source: Josh Rottenberg. “Wall Street investors to Hollywood Talent Agencies: ‘Show Us The Money.'” L. A. Times. July 10, 2015. http://www.latimes.com/entertainment/envelope/cotown/la-et-ct-talent-agencies-private-equity-20150710-story.html.

“A legal loophole has developed where some employers seek explicitly or implicitly to exempt themselves from Title VII’s provisions by drafting [mandatory arbitration agreements] that eliminate [a person of color’s full] statutory rights and remedies…”

It’s funny to read this, because I argued in my March 2011 Opp. Motion to Arbitration that based on the company’s century-plus pattern and continuing practice of intentionally excluding qualified African Americans from being hired and/or promoted to Agent, Coordinator and Agent Trainee (as demonstrated by the New York office’s modern day inexorable zero when I began employment), William Morris’ arbitration agreements were nothing more than a “savvy, legal loophole” to avoid an impartial jury. Now, I discover an article written in 2001, where the author essentially uses the same phrase to describe some employer’s arbitration agreements due to the fact that “some employers” have and still are strategically using this agreement as a deceptive way to exempt themselves from Title VII’s provisions.

Clearly, if a company is intentionally maintaining a racially segregated workforce (e.g. William Morris Endeavor Entertainment) and their attorneys can never provide a “legitimate, nondiscriminatory reason” or demonstrate a “business justification” for maintaining employment practices, policies and/or procedures that create a disparate impact against qualified African Americans and people of color, then that company is clearly going to want potential claims of racial discrimination made by token minorities out of the court so that the merits will never have a chance at being decided by “the people” — an impartial jury that will most likely not be all-white. It is unconscionable that William Morris can be allowed to act in complete defiance of the Civil Rights Act of 1964, but it’s even more unconscionable that they make employees of color enter into agreements as a condition of employment that eliminate their full statutory rights and remedies by having cases decided in a privitized, quasi-judicial forum that’s pro-employer or repeat player. Unconscionability magnifies when federal judges judges within our nation’s white/”Jewish” controlled judiciary flout the antiscrimination laws themselves and enforce their mandatory, pre-dispute arbitration agreements when in most cases, the employee has little to no bargaining power and most likely has no idea what arbitration is. The icing on the unconscionable cake comes when after three years of litigating and arbitrating your case, you learn that one of the opposing attorneys — Christian Carbone of Loeb & Loeb LLP — is married to an executive — Sasha Angelique Carbone — that works at the supposedly “neutral” arbitral forum [the American Arbitration Association] that ended up dismissing my case with “prejudice and on the merits” after unlawfully disqualifying the original arbitrator who concluded that I proved by a “preponderance of the evidence” that “William Morris Endeavor Entertainment LLC discriminated against [me] in violation of pertinent federal, state, and local law prohibiting discrimination on the basis of race” and indicated that I would receive the full gamut of monetary damages which was to be determined during phase 2 of our bifurcated proceeding. [When I filed my Demand for Arbitration with the American Arbitration Association, I sought $125 million.]

As a result of the immense fraud that William Morris, Loeb & Loeb LLP and their co-conspirators have engaged in, William Morris has never had to face any repercussions for their unlawful employment practices, policies and procedures since this law was passed 50 years ago and based on the decisions of Republican appointed federal judges Robert P. Patterson and P. Kevin Castel of the Southern District of New York (as well as federal judges in the Second Circuit and Supreme Court), they and other tortfeasors who are maintaining employment practices in violation of Title VII, will never have to fully comply with the various federal, state and local laws prohibiting discrimination in employment and conspiracies to monopolize on the basis of race. Smh.

Source: Sidney Charlotte Reynolds. “Closing a Discrimination Loophole: Using Title VII’s Anti-Retaliation Provision to Prevent Employers from Requiring Unlawful Arbitration Agreements as Conditions of Continued Employment.” 76 Wash. L. Rev. 957. (2001).

earlier this year, Geraldo Rivera won a lawsuit filed against him by “sleazy Hollywood agenc[y]” William Morris Endeavor Entertainment.

the L.A. Times agrees! the “Jews” “RUN” Hollywood.

I have never been so upset by a poll in my life. Only 22% of Americans now believe “the movie and television industries are pretty much run by Jews,” down from nearly 50% in 1964. The Anti-Defamation League, which released the poll results last month, sees in these numbers a victory against stereotyping. Actually, it just shows how dumb America has gotten. Jews totally run Hollywood.

How deeply Jewish is Hollywood? When the studio chiefs took out a full-page ad in the Los Angeles Times a few weeks ago to demand that the Screen Actors Guild settle its contract, the open letter was signed by: News Corp. President Peter Chernin (Jewish), Paramount Pictures Chairman Brad Grey (Jewish), Walt Disney Co. Chief Executive Robert Iger (Jewish), Sony Pictures Chairman Michael Lynton (surprise, Dutch Jew), Warner Bros. Chairman Barry Meyer (Jewish), CBS Corp. Chief Executive Leslie Moonves (so Jewish his great uncle was the first prime minister of Israel), MGM Chairman Harry Sloan (Jewish) and NBC Universal Chief Executive Jeff Zucker (mega-Jewish). If either of the Weinstein brothers had signed, this group would have not only the power to shut down all film production but to form a minyan with enough Fiji water on hand to fill a mikvah.

The person they were yelling at in that ad was SAG President Alan Rosenberg (take a guess). The scathing rebuttal to the ad was written by entertainment super-agent Ari Emanuel (Jew with Israeli parents) on the Huffington Post, which is owned by Arianna Huffington (not Jewish and has never worked in Hollywood.)

The Jews are so dominant, I had to scour the trades to come up with six Gentiles in high positions at entertainment companies. When I called them to talk about their incredible advancement, five of them refused to talk to me, apparently out of fear of insulting Jews. The sixth, AMC President Charlie Collier, turned out to be Jewish.

As a proud Jew, I want America to know about our accomplishment. Yes, we control Hollywood. Without us, you’d be flipping between “The 700 Club” and “Davey and Goliath” on TV all day.

So I’ve taken it upon myself to re-convince America that Jews run Hollywood by launching a public relations campaign, because that’s what we do best. I’m weighing several slogans, including: “Hollywood: More Jewish than ever!”; “Hollywood: From the people who brought you the Bible”; and “Hollywood: If you enjoy TV and movies, then you probably like Jews after all.”

In typically arrogant fashion, one of “God’s Chosen people” concludes the article with:

I appreciate Foxman’s concerns. And maybe my life spent in a New Jersey-New York/Bay Area-L.A. pro-Semitic cocoon has left me naive. But I don’t care if Americans think we’re running the news media, Hollywood, Wall Street or the government. I just care that we get to keep running them.

When I present a pyramid of historical and statistical evidence to demonstrate that Hollywood was created and is still overrepresented by “Jews” who collectively harbor a racial animus and/or implicit racial biases against African Americans and people of color, I am called “racist” and “anti-Semitic” although what I am saying is not false, nor has it been proven to be false. When Joel Stein states the obvious, it’s all good…

Source: Joel Stein. “Is Hollywood Run by Jews? You Bet.” LA Times. December 19, 2008. http://articles.latimes.com/2008/dec/19/opinion/oe-stein19