Tagged: mental slavery

Beyoncé channels Yoruba Goddess Oshun.


I loved Bey’s performance at the GRAMMYs on Sunday. I loved it even more because one of the two songs performed, was co-written by my good friend Ingrid Burley!

Some people are saying that Bey’s look was inspired by the Yoruba goddess Oshun. The Yoruba people are “descendants from variety of West African communities” who are “united by geography, history, religion and most importantly language.” The main countries where the Yoruba people live are Nigeria, Togo and Benin. In their religion, Oshun is the “goddess of water, fertility, motherhood, and the passing of the generations.” This deity is also responsible for blessing women with twins. As you [may] know, Bey is pregnant with twins. For more information on the Yoruba, click here.

I’ve always loved Bey, but I love her even more for continuing to use her platform to help [re]awaken the psyche of Africans, especially those living in the United States of America.

More pics from her performance are below:


“[A]s many wisdom traditions believe, when performing at its ultimate capacity, the pineal gland releases important biochemicals such as Dimethyltryptamine (DMT) a.k.a. ‘the spirit molecule’ which is a prime catalyst for higher states of consciousness, intuition, and even possibly the experience of universal consciousness otherwise known as enlightenment.”

Source: Bess O’Connor. “How to Decalcify and Activate the Pineal Gland.” Spirituality & Health. June 22, 2015.  http://spiritualityhealth.com/blog/bess-oconnor/how-decalcify-and-activate-pineal-gland.

our ancestors were NOT slaves — they were PRISONERS OF WAR!!

Source: Dr. Edward Robinson. 

spent my birthday re-exploring the African exhibits at the Met.

The two exhibits I visited in particular were the “Arts of Africa, Oceania, and the Americas” and “Egyptian Art.” Both were very nice. Check out the pics below:

“Arts of Africa, Oceania, and the Americas”:


“Egyptian Art””


The problem I have with the Met, is that they separated these two exhibits as if Egypt is not a part of black Africa. All of the stolen artifacts in the “Eyptian Art” exhibit show the ancient Egyptians to be dark-skinned (although the museum has decided to place some non-black figures in the entrance that don’t belong there) just like Africans all over the continent. This is just another example of cultural genocide.Smdh.

legal definition of genocide: “Genocide is defined in Article 2 of the Convention on the Prevention and Punishment of the Crime of Genocide (1948) as ‘any of the following acts committed with intent to destroy, in whole or in part, a national, ethnic[ ], racial or religious group, as such: killing members of the group; causing serious bodily or mental harm to members of the group; deliberately inflicting on the group conditions of life calculated to bring about its physical destruction in whole or in part; imposing measures intended to prevent births within the group; [and] forcibly transferring children of the group to another group.'”

African Americans clearly have a case against the United States of AmeriKKKa for genocide (and other crimes). It is so easy to prove that those classified as “white” in AmeriKKKa are “killing [African Americans and people of African descent]; causing serious bodily or mental harm to [African Americans and people of African descent]; [and] deliberately inflicting on [African Americans and people of African descent] conditions of life calculated to bring about [their] physical destruction in whole or in part.”

Let’s protest and play the game smarter. Stop marching to those with blind eyes and deaf ears and let’s start the litigation process for reparations against AmeriKKKa for its egregious human rights abuses and gross crimes against humanity!!

Source: United Nations. http://www.un.org/en/preventgenocide/adviser/pdf/osapg_analysis_framework.pdf.

“The experience of slavery was unbelievably efficient in effacing the African and producing the American Negro. As a result, the cultural and characterological patterns developed by American Negroes provide a unique picture of a people whose history was destroyed and who were offered in its stead a narrow ledge of toil on which to live and grow and nurture children. All that is uniquely Negro found its origin on those shores and provides a a living document of black history in America.”

Source: Cobbs & Pierce. Black Rage. pg. 102. 1968.

“Blackness, as symbolized by the Black Dot, is the seed of humanity, the archetype of humanity, the black hidden doorway of historical unity with one’s ancestors. Webster’s dictionary defines seed as “the source, origin or beginning of anything; the part of a flowering plant that contains the embryo and will develop into a new plant; if sown, and fertilized and developed into ovule (new seeds).” Archetype is defined as the original model from which all other things of the same kind are made. Thus, archetype and seed are synonymous, both referring to the origin, the basic model of humanity upon which the race is patterned. Archetype means seed and is one of the ancient African names for seed. Archetype is composed of two main words arche and type. Type is defined as a person, thing or event that represents or symbolizes another especially another that is to come; the general form, structure, plan, style characterizing or distinguishing member of a class or group. Arch is defined as main, chief, principle; a curved structure used as support over an open space as in a doorway.”

Source: Richard King, M.D. African Origin of Biological Psychiatry. 1990.